“I think my body really wants to chill out.” She embarked on this global press tour the day after wrapping a seven-and-a-half-month shoot for the HBO limited series “Love and Death,” the sort of packed schedule that also required her to film “WandaVision” and “Doctor Strange” back to back.īecause her “Doctor Strange” director, Sam Raimi, had not yet watched all of “WandaVision” when shooting began, it fell to Olsen to thread the tricky line through the two projects. “It’s just annoying,” she said, swigging water from a Mason jar. Olsen, 33, is casual and friendly, exuding a California glow so powerful that you would hardly know she had been sick for days. She coughed, unwrapping a foil package: “Sorry, I have a lozenge.” During a video call last week, I asked how it felt to come to the fore as a blockbuster leading lady. The movie collected $185 million in its first three days of release, ranking 11th among the biggest domestic opening weekends of all time.įor Olsen, who initially made her mark in independent films, this is the equivalent of turning a comic-book page to find yourself the subject of a massive splash panel. This month, “ Doctor Strange in the Multiverse of Madness,” which counts Olsen as its co-lead and pits her troubled witch against Benedict Cumberbatch’s goateed sorcerer, has proved even more major. Years later, when she was cast as the reality-bending witch Wanda Maximoff in “ Avengers: Age of Ultron,” her character was more of an ancillary Avenger than the main event, and in three subsequent Marvel films - each with a more overstuffed ensemble of superheroes than the last - Olsen never rose higher than 10th billing.īut a funny thing happened after biding all of that time: “ WandaVision,” a sitcom spoof about Wanda and her android husband, became an unexpected phenomenon when it made its debut early last year on Disney+. That sort of lost opportunity could mess with an actress’s mind, but Olsen was never in any hurry to seize the spotlight. Olsen didn’t take the stage a single time. When she was an acting student at New York University, she landed an understudy role in the Broadway play “Impressionism,” starring Jeremy Irons. Elizabeth Olsen is used to waiting in the wings.
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